One: Red Beauty Evil Star: The Star Tian Yao is the star of romance, also known as the Red Beauty Evil Star. If Wu or Xiang stars are in the palace of birth with Tian Yao, or if they appear during a certain period, it may lead to being entangled by the opposite sex.
Two: Flowery Stick: If Tan Lang is combined with Qinyang or Tuo Luo, it indicates a person who is prone to indulgence in sensual pleasures.
Three: Charming Scholar: If Zi or Po stars are in the palace of birth (using the marital palace to represent Tan Lang and Lian Zhen), and they are combined with Chang Qu and Hua Gai, this person is likely to be an outstanding artist.
Four: Difficult for Beauty: If Zi and Tan stars are in the same palace, and the year of flow has Yang Tu in the same palace, it may lead to problems caused by beauty, such as loss of reputation or financial loss.
Five: Romantic Evil Star: If the periods encounter Mei Yu, Xian Chi, or Da Hao, it leads to a night of romantic pleasure. (This type of romantic luck is related to money and transactions, not emotional relationships.)
Six: Romantic Relationships with the Opposite Sex: If the Sun and Moon are in a weakened position and facing away from the palace of birth, it indicates a strong romantic connection with the opposite sex throughout life. (This type of romantic luck is not necessarily bad. In ancient times, society was more conservative, and men and women were not allowed to interact freely. Those with Sun and Moon facing away had more open-minded views and complex social relationships. From today’s perspective, these relationships, when properly managed, can become an advantage. However, if Sun and Moon face away and are combined with evil stars, there is often conflict, which is unfavorable for marriage.)
Seven: Charismatic Romantic Luck: If the palace of birth has Hong Luan or Tian Xi, or if the marital palace is transformed into a key, this kind of romantic luck is charming and humorous, easily attracting attention from the opposite sex. If there are no other romantic stars in the birth palace, it may only result in joking or flirting. (If Hong Luan is present in the birth palace or the second major period, it may lead to early marriage; if Tian Xi is present, it may indicate early engagement, but not necessarily early marriage.)
Eight: Wine and Beauty Romantic Luck: If Tan Lang and Tian Yao are in the palace of birth or in the body palace, or if they are located separately in the birth and body palaces, this type of romantic luck is more sentimental and romantic, and is easily deceived by external atmosphere, hence enjoying wine and beauty.
Nine: Cold Moon Romantic Luck: If the palace of birth is occupied by Tian Ji and Tai Yin, males meeting Zuo You, females meeting Chang Qu, it may lead to coldness in marriage and spiritual emptiness, leading to triangle relationships. Most of these cases arise from sympathy towards the other party.
Ten: Emotional Bond Romantic Luck: If Lian Zhen is transformed into Lu or Ji in the palace of birth, or if it appears in the major period, it will inevitably be caught in emotions. In severe cases, it may even lead to suicide or murder. (When Lian Zhen is transformed into Lu, it indicates that the person likes the other party; when it is transformed into Ji, it means that the other party may be entangled with the person.)
Eleven: Floating Romantic Luck: If Lian and Tan stars are in a weak position and combined with evil stars, it indicates excessive desires, mental unrest, and susceptibility to deception. This type of romantic luck most commonly involves being deceived in terms of money or beauty.
Twelve: Seductive Romantic Luck: If Ji and Ju stars are combined with Wen Qu, or if Tian Tong is combined with Wen Qu, and they meet Tian Yao or Hong Luan stars, it indicates a tendency to flirt and be unfaithful. However, if there are no evil stars, this type of romantic luck usually just highlights personal style and is relatively positive. (If the marital palace is not good, it may lead to entering another person's family and becoming a third party.)
Thirteen: Internal Romantic Luck: If Lian Zhen or Tan Lang is combined with Wen Qu in the birth palace, it indicates that the person is talented, enjoys showing off charm, and likes to pursue beauty.
Fourteen: External Romantic Luck: If Lian Zhen or Tan Lang is combined with Tian Yao in the birth and body palaces, besides having the usual characteristics of romantic luck, the thoughts and behaviors are also more open. Men enjoy places of entertainment, while women lack chastity concepts.
Fifteen: Rolling Romantic Luck: If the birth palace is occupied by Tan Lang with Yang Tu, and the body palace encounters Qi Sha or Po Jun, and the marital palace is affected by evil stars, it may lead to involvement in special industries, such as women entering the prostitution industry and men becoming lovers.
Sixteen: Criminal Romantic Luck: When the period encounters Lian Zhen or Tan Lang transformed into Ji, and it is in the same palace as Guan Fu or Guan Suo, and evil stars are in opposition, it will inevitably lead to criminal consequences due to beauty.
Seventeen: Scandalous Romantic Luck: When the period is influenced by Sun and Moon facing away and transformed into Key, or when it is combined with Kui Yue, or when Lu and Ji are intermingled, it leads to exposure of secret relationships.
Eighteen: Stealing Fragrance Romantic Luck: When the period moves through Sha Po Lang, and the three palaces are affected by four evil stars, empty and void stars, or intersecting and enclosing.
Nineteen: Snack Romantic Luck: When the period moves through the marital palace with transformation into Lu, and the opposite palace or the concealed position has romantic stars, it indicates a relationship that is secretive and without a specific object, but often lasts for some time.
Twenty: Golden House with a Concubine: If the birth palace has romantic stars, and the marital palace has hidden Lu, it indicates that the person has a small villa outside; if the fields and property palace has transformation into Quan or Lu, it is even more so. (This type of romantic luck usually refers to secret meetings in hotels.)
Twenty-one: Having Two Wives: If Chang Qu and Wen Qu are in the same palace of the marital palace, and there are no evil stars opposing, it indicates the presence of two wives. (In ancient times, it was common for men to have multiple wives, but now, with the one-man-one-wife system, this type of romantic luck indicates that the person has many female friends besides their spouse.)
Twenty-two: Remarriage Romantic Luck: If Tian Yao and Hong Luan are in the same palace and in the birth and body positions, it may lead to bigamy. (After the victory of the Anti-Japanese War, due to the government moving to Taiwan, many people had spouses on both sides of the strait. Today, with the opening of family visits, Taiwanese businessmen taking mistresses in mainland China falls under this type of romantic luck.)
Twenty-three: Wealthy Romantic Luck: If the body palace and the marital palace are in the same palace, and auspicious stars are present, with no evil stars opposing, the person will definitely benefit from their spouse after marriage. However, before marriage, it cannot develop. If Lu Cun enters the marital position in the major period, it is treated similarly.
Twenty-four: Ruinous Romantic Luck: If the birth palace has romantic stars, and the marital palace has Di Jie and Di Kong in the same palace, or is surrounded or opposed, it will inevitably lead to losses due to infidelity of the spouse or oneself. This type of romantic luck usually involves repeated infidelity throughout one's life, until the family is destroyed.
Twenty-five: Pure Love Romantic Luck: If the period encounters Hong Luan, or the flowing Hong Luan enters the birth and body palaces, and the marital palace has no attraction, it indicates a one-sided love situation. Usually, the person loves the other party but does not dare to express it, resulting in only a pure friendship relationship, without any romantic spark.